Quintessential Allen. Back to his early NYC movies where a fascinating New York is the real protagonist, city of dreams and chances and neurosis, but THE CITY. And back to his early protagonists, a Catcher-in-the-Rye young man unsatisfied of everything bourgeois and, of course, of his Tucson soap-and-water fiancè. Comedy of errors and of sliding doors, of humour and old-time jazz, the film works much better than his last comedies. Play it again, Woody.
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